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Paco Taibo’s Republic of Readers

In November 2018, the newly elected President Andres Manuel López Obrador appointed Paco Ignacio Taibo II to lead the storied national Mexican publishing house, El Fondo de Cultura Económica, an appointment tantamount to becoming culture minister. The down-to-earth, humorous, and profane Taibo has been one of México’s most beloved writers — and a courageous critic of Mexican institutions.  Highly recommended: the Netflix series based on his detective novel, Belascoarán, PI, that debuted last fall. We’ve excerpted the passage below from a 2019 Marc Cooper profile of Taibo for The Nation.

López Obrador’s decision to appoint Taibo matters more in the political sense than you might think. Writers, journalists, and books play a significantly different role in Mexican society than they do north of the border. Authors are a source of national pride: They’re nearly as likely to appear on a talk show as a new pop-star singer…

 

A Mexican trade paperback can cost $25 or more (in US currency), and many workers make only $8 to $12 a day. “This is why our new fighting slogan is Una República de Lectores,” Taibo says — a republic of readers.

 

Taibo’s literary plan de choque called for over 70 literary events, fairs, and exhibitions nationwide held in three months. He has ordered the rehabilitation of a small fleet of book buses that his predecessors left to rot, and he’s already using them to visit some of the more remote sections of the country, including in the epicenter of narco activity. Taibo has already launched his first series, “Vientos del Pueblo,” a 400,000-copy press run of eight books priced at $2 or less, including authors ranging from Ariel Dorfman to Michel Foucault…

 

“I’ve been to hundreds of book festivals, fairs, and exhibitions. I love them,” Taibo says. “When you go to a book festival in the US or Germany, they are beautiful — it’s a moment of pleasure. But in México, when you have a book fair, people come because they are hungry to read, because it is the only place they can afford a book or buy a book. For many of those who come, it is a revelatory moment — they can’t believe you are talking to authors as if they are friends.”